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Warm Audio WA-84 Small-diaphragm Condenser Microphone - Stereo Pair (Nickel)

Small-diaphragm Condenser Microphone with Cardioid Polar Pattern and 10dB Pad - Stereo Pair, Nickel
$749.00

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Warm Audio WA-84 Small-diaphragm Condenser Microphone - Stereo Pair (Nickel)
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This article was Written By

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Inspired Re-creation of a Legendary Small-diaphragm Condenser

Their acclaimed compressors and preamps have famously upset the pro audio price/performance ratio. When Warm Audio turned its attention to the granddaddy of small-diaphragm FET condenser microphones, you know it had to be good. And it is. Flash back to any top recording studio in the 1970s. You'll see the venerable '84 everywhere. Sweetwater engineers who have worked with different generations of this perennial studio favorite know that the vintage ones have a warmer, more forgiving sonic character. It's these circuit designs — dating back nearly half a century — that Warm Audio closely followed for the WA-84. Stellar performance, top-shelf parts, and amazing value: that's the Warm formula — and the WA-84 nails it.

Quality components make the Warm difference

Warm Audio doesn't cut corners on components, but they do order parts and build in quantity, which keeps costs down and delivers amazing value. Featuring a meticulously crafted vintage reproduction capsule, WA-84 is built with premium all-discrete components that include Fairchild transistors, Wima capacitors, and a CineMag USA transformer. Designed for professional commercial and home studios, live sound reinforcement, and broadcast applications, the WA-84 has the uncanny ability to finesse a wide range of sources, such as acoustic guitars, double bass, drums and percussion, piano, strings, brass and woodwinds, and more.

What can the WA-84 do for you?

Every studio needs at least one pair of high-quality small-diaphragm condenser mics, and the Warm Audio WA-84 is designed after a legendary one. With its versatile cardioid polar pattern and 10dB pad, you can use the WA-84 on any instrument — with world-class results. It makes snares and tom toms sound huge. It's great for drum overheads, capturing cymbals with warmth and vibrancy. It's perfect for adding a bit of room to complement a close dynamic or ribbon mic on a guitar cabinet. Engage the pad, and move the mic right up on the speaker grille.

Double your value with this stereo pair

The WA-84 is an ideal choice for piano, vibraphone, marimba, congas, strings, woodwinds, and so much more. The list goes on, but suffice to say: You haven't lived until you've heard a grand piano spring to life when miked with a pair of WA-84s. For drum room mics, use two of them and nuke the stereo signal with a fast limiter. Positively explosive! Considering its amazing price, you're wise to consider a pair of these excellent mics for recording tracks in stereo. You'll not only doubling your value — you're getting a valuable addition to your mic locker you'll reach session after session!

Warm Audio WA-84 Small-diaphragm Condenser Mic Stereo Pair Features:

  • Cardioid polar pattern
  • Fully discrete signal path
  • Vintage reproduction capsule
  • CineMag USA Transformer
  • 48V phantom powered
  • Frequency Range: 20Hz–20kHz
  • Sensitivity: -39dB or 11mV/Pa @ 1kHz
  • Output Impedance: 200Ω
  • Rated Load Impedance: ≥1kΩ
  • Switchable Pad: -10dB
  • Maximum SPL: 123/133dB @ 1kHz, 0.5% THD, 0/-10dB
  • S/N Ratio: 78dBA (IEC651)
  • Equivalent noise: 16dBA (IEC651)
  • Dynamic range: 107dBA (IEC651)
  • Connector: 3-pin gold-plated XLR
  • Includes microphones, cardioid capsules, shockmounts, mic clips, windscreens, and carrying case
  • Stereo Pair includes 2 of each item in a single carrying case

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Tech Specs

  • Microphone Type: Condenser
  • Mono/Stereo: Stereo Pair
  • Polar Pattern: Cardioid
  • Diaphragm Size: Small Diaphragm
  • Frequency Range: 20Hz-20kHz
  • Max SPL: 123dB SPL (133dB with pad)
  • Output Impedance: 200 ohms
  • Signal to Noise Ratio: 78dB (A weighted)
  • Self Noise: 16dB (A weighted)
  • Sensitivity: 11mV/Pa @ 1kHz
  • Pads: -10dB
  • Connector: XLR
  • Color: Nickel
  • Power Source: 48V phantom power
  • Weight: 0.27 lbs.
  • Included Accessories: Shockmount, Windscreen, Mic Clip, Carrying Case
  • Manufacturer Part Number: WA84-C-N-ST

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Customer Reviews

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Rated 5/5

Excellent value for money

I bought these intending to use them as drum overheads. While they certainly excel at that task, they also sound great on other sources! I've used them on acoustic guitar, mandolin and a second mic on a guitar amp. They've become my go-to for acoustic guitar, especially fingerpicked when the detail is important.
Rated 5/5

WA-84 Stereo Pair

Very impressed with this pair. These are the perfect small diaphragm condensers for acoustic guitar or drum overheads. Warm sounding and very articulate. A very good reproduction of the original. I compared them directly with a pair of Shure KSM141s and these are definitely more musical. Also great when you pair a WA84 with a WA251 on acoustic guitar. Great combined sound. Thanks Warm Audio and Sweetwater!
Rated 5/5

Killer mics for sure!

These things have an awesome color to them when you saturate the transformers in them. I was really kind of underwhelmed before i started doing that to them. My sales rep AJ gave me that pointer and now i love them!
Music background: Mix Engineer
Rated 5/5

Smooth and Detailed Sound

Used these to record an acoustic guitar, referencing the configuration shown in Mitch Gallagher's video. In the DAW I set up separate mono tracks for left and right, respectively. Since I'm a one-man show, I didn't get the mic placement exactly right. So, the signals wound up being ever so slightly out of phase. Placed the Sound Radix Auto Align plug-in on the tracks and - BAM! - a beautifully rich sounding stereo image jumped out of the monitors. Clear high end, excellent mid-range detail, tight low end, no harshness. To get that kind of result at this price point is terrific.

Bryce Young and his team at Warm Audio continue to push the envelope in delivering high quality versions of classic gear that would otherwise be beyond the reach of the average musician's budget. Also big thanks to my Sales Engineer, Mike Harris (x1382). Into our second decade working together.
Music background: Musician/Engineer
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