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Chandler Limited RS124 Compressor

1-channel Tube Compressor with Variable-mu Design
$2,995.00

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Chandler Limited RS124 Compressor
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The Exceedingly Rare Abbey Road RS124, in Your Rack

The Chandler Limited RS124 packs three legendary Abbey Road RS124 compressors into one chassis. Over the decades since the Abbey Road RS124 graced Beatles' recordings, there were attempts to re-create the hardware from sketchy information; none of these efforts fully realized the elusive musical soul of the original EMI unit. Schematics relayed only so much of the design. So Chandler turned to historic units provided by Abbey Road, as well as handwritten modification memos that would prove essential in understanding the essence of the beast. They succeeded! The Chandler Limited RS124 nails the behavior and sonics of the original - which Peter Cobbin, Abbey Road's Director of Engineering, describes as "pure cream being drizzled slowly into and over a mix."

Chandler Limited RS124 Compressor at a Glance:
  • Put a legendary compressor in your rack
  • What the RS124 can do for you
  • Your sonic obsession: Chandler's mission
Put a legendary compressor in your rack

The Abbey Road RS124 is a holy-grail compressor. It has a lovely, colorful sound, and a colorful back story. In the late 1950s, EMI procured several Altec 436B tube compressors for their London studios. In 1960, EMI engineers modified them so heavily (and as they were never used outside of Abbey Road), they felt comfortable re-naming them, and thus, the RS124 was born. Imagine getting your hands on the compressor that was used on virtually every Beatles recording made at Abbey Road Studios! The RS124 lives on, courtesy of Chandler Limited. The Chandler Limited RS124 sounds incredible - and like no other compressor you've ever used.

What the RS124 can do for you

The RS124's smooth, creamy sonic character and transient-taming prowess comes without a hint of muffling during heavy compression. Once you use the Chandler Limited RS124, you'll find out what Abbey Road engineers quickly realized: this is an indispensable tool for tracking, bus compression, mixing, and mastering. Along with original Input, Output, and Recovery (release) controls and the unique Hold setting, the Chandler Limited RS124 ups the ante with modern features like adjustable attack, selectable output impedance, and the cutting-edge SuperFuse. Google up some photos of Abbey Road Studios in the 1960s. You will see an RS124 in just about every control room. Wouldn't it be great to have one (or two) in yours?

Your sonic obsession: Chandler's mission

Recording engineers are always looking for fresh tonal colors when tracking, mixing, and mastering - it's an obsession. Chandler Limited feeds this addiction with their innovative take on the technologies of the past. They start with painstaking component selection. Every parts list reads like a 50-year-old document. Take it from Sweetwater - they just don't build 'em this way anymore. Hand-wired and assembled in their Shell Rock, Iowa, factory, Chandler Limited hardware utilizes only the highest-quality tubes and components, 100% discrete-transistor circuitry, and specially wound transformers. Aside from the fact that you'll have this gear forever, the weapons-grade build quality is a means to an end - the sound. Glorious, fat, supremely musical sound, with amazing headroom.

Chandler Limited RS124 Compressor Features:
  • A spot-on re-creation of the legendary Abbey Road RS124
  • Optimized for use in modern studio environments
  • Versatile design with multiple sonic personalities
  • Variable Input and Output Attenuation controls
  • Attack: selectable, stepped (9 settings)
  • Recovery: selectable, stepped (6 settings, plus Hold)
  • 2U steel rackmount chassis
  • XLR input and output, transformer-balanced (custom-wound)
  • Output impedance: 200/600 ohms, switchable
  • SuperFuse (switchable mode)
  • Hand-wired and assembled in Chandler's Shell Rock, Iowa, factory
  • Chandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.
Fortify your rack with the Chandler Limited RS124!

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Tech Specs

  • Type: Tube compressor (1 x 6BC8, 1 x 6CG7, 1 x 6AL5)
  • Number of Channels: 1
  • Controls: Input, Attack, Recovery (release), Output
  • Inputs: 1 x XLR
  • Outputs: 1 x XLR, 1 x 1/4" TRS (stereo linking)
  • Rack Spaces: 2U
  • Manufacturer Part Number: RS124

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Customer Reviews

Write your review
Rated 5/5

RS124: My Favorite Compressor

Everyone should have two of these. Do you have them yet?

I've always tried to find ways besides compression to get things to be noticed in a mix, mainly because I found that even the most revered compressors out there have a point at which they begin to sound small, pokey, spitty, distorted, squishy, etc... Of course those qualities have their place, but the RS124 is something that gives you the best dose of character in a way that, if used addictively across multiple tracks, doesn't make the song sound "urgent".

The RS124 is the first compressor that seems to wrap around and follow the nature of the sound. The more you lean into it, the more it gives you the good things. It never falls apart, coughs, hiccups. It definitely never darkens to a degree that you have to makeup for later. It just bends in the most beautiful way. Not to go along with the marketing hype, but it bends in a very "rubbery" or "thumpy" way that is indeed reminiscent of the Beatles, but not overtly and inescapably vintage. You can use this sound for vintage or modern.

Don't let anybody tell you this is only for bass or moderate bus work. Especially with the "Fuse Mode", this can be used for anything, even smackin' drums. Being a drummer, I am pretty picky about drum compression. This is the box. You will find a pure attack setting for any drum. On the fastest attack, you still have a natural punch but your peak meters do make you sad. It's almost like cheating.

5 thumpy stars!
Rated 4.5/5

Looovely

The studio I work at just picked up two of these bad boys and I am very impressed. You can spank this thing and it still sounds incredibly natural. No harsh sibilance or anything odd. The notched knobs make recalling things simple. The fuse switch makes anything pop out in the most dense of mixes.

My go-to on just about anything.
Music background: Audio Engineer
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